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Merrie Melodies is a series of animated short films produced by Warner Bros. between 1931 and 1969, during the Golden Age of American Animation. As with its parent series, Looney Tunes, Merrie Melodies featured some of the most famous cartoon characters ever created, including Bugs Bunny, Daffy Duck, and Porky Pig.

Merrie Melodies was originally produced by Harman-Ising Productions from 1931 to 1933, and then Leon Schlesinger Productions from 1933 to 1944. Schlesinger sold his studio to Warner Bros. in 1944, and the newly renamed Warner Bros. Cartoons continued production until 1963. Merrie Melodies was outsourced to DePatie-Freleng Enterprises from 1964 to 1967, and Warner Bros.-Seven Arts resumed production for the series' final two years.[1]

Three of the Merrie Melodies shorts, "Tweetie Pie", "Speedy Gonzales", and "Birds Anonymous", won the Academy Award for Best Animated Short Film and another three, "Duck Amuck", "One Froggy Evening", and "What's Opera, Doc?", have been inducted into the National Film Registry of the Library of Congress.[2][3][4][5][5]

In 2013, TV Guide ranked Looney Tunes and Merrie Melodies combined as the 3rd greatest cartoon series of all time.[2][3][4][5]

Merrie Melodies is also the title of a segment in The Looney Tunes Show in which various characters sing songs.

History

Merriemelodies-title-end

Merrie Melodies closing title from the early 1960s.

Early Production

Leon Schlesinger had already produced one cartoon in the Looney Tunes series, and its success prompted him to try to sell a sister series to Warner Bros. His selling point was that the new cartoons would feature music from the soundtracks of Warner Bros. films and would thus serve as advertisements for Warner Bros. recordings. The studio agreed, and Schlesinger dubbed the series Merrie Melodies.

Each cartoon in the Merrie Melodies series would be contractually obligated to include at least one full chorus from a Warner Bros. song.

Harman-Ising Cartoons

While Hugh Harman directed the Looney Tunes shorts, Rudolf Ising directed the Merrie Melodies shorts. The first three shorts starred two characters named Foxy and Roxy, while the fourth and fifth starred two characters named Piggy and Fluffy. Piggy would appear consecutively on the ending cards of the Merrie Melodies shorts starting with the fourth and ending with the fourteenth.

Following the first five short films, Merrie Melodies would primarily consist of one-shot cartoons. Goopy Geer was the last recurring character created by Harman-Ising, and he appeared in only three shorts released in between the one-shot cartoons. None of the characters created by Harman-Ising would be used in future theatrical shorts after their departure from the series in 1933.

Hugh Harman later claimed that he did not want to work on the Merrie Melodies because he didn't like how the role of music played in the new series. "I just didn't like to be compelled to use the certain songs available to us," he said in 1973.[6]

Color and Beyond

In 1934, Schlesinger produced his first color Merrie Melodies shorts, "Honeymoon Hotel" and "Beauty and the Beast", which were both produced in Cinecolor (Disney had exclusive rights to the richer Technicolor process). Their success convinced Schlesinger to produce all future Merrie Melodies shorts in color as well. Looney Tunes, however, continued in black and white until 1943.[7]

In 1935, three shorts were released that would break the formula Merrie Melodies had followed for about three years. "Mr. and Mrs. Is the Name" featured Buddy, a character that had only appeared in the Looney Tunes films up until that short. "Country Boy" featured Peter Rabbit, who would become the first recurring Merrie Melodies character since Goopy Geer following his second appearance in "My Green Fedora". "I Haven't Got a Hat" would be the first Merrie Melodies short featuring characters that would go on to star in the Looney Tunes series.

In addition to the change in formula, "I Haven't Got a Hat" would serve as the debut of the first Warner Bros. cartoon character to draw in audiences based on star power - Porky Pig.

The contractual obligation to include at least one full chorus from a Warner Bros. song in a Merrie Melodies short was done away with in 1937.

As time went on, Looney Tunes and Merrie Melodies became indistinguishable save for their opening and ending theme songs. Friz Freleng once said in an interview; "I never knew if a film I was making would be Looney Tunes or Merrie Melodies, and what the hell difference would it make, anyway?"

The final short part of the Merrie Melodies series would be "Injun Trouble".

Theme Music

Blue Ribbon Merrie Melodies

Main article: List of Warner Bros. cartoons with Blue Ribbon reissues

References

  1. "Merrie Melodies" www.bcdb.com, 12 April 2012
  2. 2.0 2.1 1947 academy awards. Retrieved on 2013-06-26.
  3. 3.0 3.1 1955 academy awards. Retrieved on 2013-06-26.
  4. 4.0 4.1 1957 academy awards. Retrieved on 2013-06-26.
  5. 5.0 5.1 5.2 About This Program. The Library of Congress.
  6. Hollywood Cartoons: American Animation in Its Golden Age p160
  7. http://ssnpodcast.com/2016/07/01/whats-difference-looney-tunes-merrie-melodies
  • Schneider, Steve (1990). That's All Folks!: The Art of Warner Bros. Animation. Henry Holt & Co.
  • Beck, Jerry and Friedwald, Will (1989): Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. Henry Holt and Company.

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