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Norman Normal is a 1968 Cartoon Special short directed by Alex Lovy.

Plot[]

A band plays "Norman Normal". Eventually, a ball bearing salesman named Norman appears and closes a door on them. He introduces himself as the hero of the piece, and walks down a long corridor filled with doors, explaining that each of them has a different one of his problems behind them.

Norman enters a door, which takes him to the office of his boss. Their company has been having difficulty getting a man named Fanshawe to buy a large consignment of ball bearings, but the boss has discovered that Fanshawe is an alcoholic. To take advantage of this, he orders Norman to take Fanshawe to a bar, buy him as much alcohol as he wants, and then get him to sign the contract while he's drunk. Norman refuses to do this however, and tells his boss that "it just isn't right," but the boss re-assures him that "everybody's doing it." Norman continues to argue with his boss, and during the argument, the two suddenly revert to children, and the subject of the argument changes to the boss demanding that Norman bully a fellow child in order to get into the boss' gang. The two return to being their adult selves, and the boss tries reverse psychology, wondering out loud if he misjudged Norman and whether or not he's really suitable for the job. Norman seemingly caves in and agrees to the boss's demands, but on exiting the office and walking back into the corridor, he vows not to do what is being asked of him, and to simply ask Fanshawe to sign the contract if he thinks the ball bearings are good enough.

He enters another door, and enters a room containing his father. Norman asks his father serious questions about what's right and wrong, but his father merely floats around the room, giving Norman vague psychobabble and stories from his childhood. He tells Norman that the key to success in life is not to make waves, and to fit in, after which he vanishes.

Walking through another door, Norman is taken to a party, and greeted by a man who wears a lampshade on his head and walks around the room repeating the word "approval." Another, drunken salesman greets Norman, congratulates him for closing the deal with Fanshawe, and begins telling a joke which involves a travelling salesman mistaking an Eskimo woman for a walrus. The audience does not hear most of the joke however, as Norman talks over it and tells the drunken man that he shouldn't be telling jokes that involve another race or minority group, and is designed to make them look inferior.

Once the man has finished telling his joke, Norman walks over to the bar and Hal the bartender, who is also drunk, asks him if he wants some more to drink. Norman tells Hal that he's had enough to drink, even though Norman has not drunk anything alcoholic, and asks for a ginger ale. Hal taunts him, accusing Norman of hating himself when he's drunk, which causes Norman to walk away without reply.

Back in the corridor, Norman apologizes for the display that just took place, and re-opens the door containing the band seen at the start of the film. Both the band and this version of Norman are inside the head of another, larger version of Norman, visible through a door inside his head. This version then closes the door on his head.

Television[]

Availability[]

Notes[]

  • This cartoon was produced as a collaboration between musician N. Paul Stookey of Peter, Paul and Mary, who had a contract with Warner Bros. Records at the time, and Warner Bros.-Seven Arts Animation.
  • Rather than being released as part of the Looney Tunes or Merrie Melodies series, it was released as a one-time "Cartoon Special." Nonetheless, it is the first one-off cartoon since "Señorella and the Glass Huarache", and thus the first one-off short from the Seven Arts studio.
    • The "Cartoon Special" moniker was to be continuously used for several longer-length special projects from the Warner Bros.-Seven Arts studio that were pitched by Alex Lovy (among one confirmed being a Christmas special). However, due to Lovy leaving the studio and the cartoon's studio closure shortly after his departure, this cartoon ended up being the only one to use this branding.
    • While not released as a Looney Tunes or Merrie Melodies short, it has a specially-modified version of the "Abstract W7" opening sequence that reads "A Warner Bros. -Seven Arts CARTOON SPECIAL," and has the "Norman Normal" song playing under it (instead of the usual Bill Lava arrangement of The Merry-Go-Round Broke Down). The ending title uses the "A VITAPHONE RELEASE" byline, which has caused the cartoon to sometimes be confused as a Merrie Melodies cartoon.
  • This is the first short produced from Warner Bros.-Seven Arts to be restored and officially released on DVD.
  • The theme song, "Norman Normal", was previously featured on Peter, Paul and Mary's 1966 album The Peter, Paul and Mary Album. The title character was initially designed by pop artist Milton Glaser and then refined by animator Volus Jones to create a character that would be easier to animate.
  • Outlines of three to four subsequent cartoons starring Norman were envisaged by Stookey and Dixon, along with adapting another Peter, Paul and Mary song, "Puff the Magic Dragon". The studio's closure the following year prevented these plans from coming to fruition.[1]
    • Stookey notes in 2008 that Warner Bros. "never quite had the appetite for it."[1]
    • Stookey also notes that Bill Hendricks was interested enough to adapt Norman Normal into a series, and was willing to option it, but it didn't go any further than talks between Stookey and Hendricks.
    • "Puff the Magic Dragon" would eventually receive a television special in 1978 created by Murakami Wolf Swenson.[1]
  • This and "The Door" are the only W7 cartoons that do not use the studio's classic sound effects, save for a hinge squeaking sound.
  • Although contractually credited to William Lava, the cartoon's music score was actually written by Paul Stookey.
    • Paul Stookey noted in 2008 that the incidental and transitional music was added by Warner Bros.[1]
  • This cartoon was submitted to the Academy Awards in 1968, but was not nominated.[2]
  • Despite the cartoon gaining a cult following after its release, it has rarely been seen on television since it was intended to appeal to older audiences and it was not part of the mainline Looney Tunes series. Its limited television exposure made it one of the rarest of all Warner Bros. cartoons, until it was released on DVD in 2008.

References[]


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